Ramadan is about to start, so it is the TV battle that every year surrounds Muslisms’ holy month.
One of the most promising (in terms of raising polemics) musalsal this year will be Najdat Anzour‘s ” Rigal Al Hasm” (Decisive Men). Anzour is not new to provocation, having directed many controversial musalsalat on hot topics such as “Al Hur al ayn” (Virgins of Paradise) – on Islamic terrorism and suicide attacks in Saudi Arabia – or “Saqf al alam” (The roof of the world) – on the Arab anger after Danish Jyllands Posten had published Prophet Mohammad’s cartoons-.
But this year musalsal -which is going to be aired by Abu Dhabi TV during the soon to be started month of Ramadan – deals with a real “hot potato”: the Israeli intelligence, the Mossad, and Syrian-Israeli relations during the 1967 war, particularly after the occupation of the Golan heights.
The musalsal focuses on the story of a Syrian man -played by Syrian star Bassel Al Khayat– who seeks revenge for his family that was killed in the bombardments of Golan. He goes then to Europe where he is able to infiltrate the Mossad with the help of the Israeli female agent Mirage. The story therefore moves to Israel where Bassel is quickly integrated into the Mossad and its interior conflicts and corruption. He starts a relation with Mirage, then with another Israeli female agent, played by Miss Lebanon Nadine, always keeping in his mind his family and his girlfriend left in Syria waiting for him. The plot is somehow interesting but the most interesting part is how Anzour has filmed the musalsal.
Last April, when I was in Syria, I got the chance to be invited to the shootings taking place in Syrian coastal town of Tartous. The way Najdat and his Jordanian costume designer Hala have recreated the ’68 atmosphere in the West Bank is somehow interesting. They show an intense nightlife, bars and clubs full of music, beautiful women dressed as all the Europeans used to dress during the 68 revolution, an “easy going” and pretty libertine lifestyle. The setting is a kind of “pop” as you can see from the pictures here below.
Another very interesting part is how he worked on the linguistic part. Having decided to shoot some parts in Hebrew, there was a “linguistic coach” on the set to train actors with the right Hebrew pronunciation (he is a Syrian who has spent a number of years in an Israeli prison). Then, as usual in Anzour’s sets, there were a lot of foreigners -mostly British people- that he invited to Syria to bring technical equiments -like the “truth machine” to shoot the scene when Bassel is questioned by the Mossad about his real identity- and also to play some “cameo” roles.
Being asked about the choice of the topic, Najdat states that he wanted to focus more on the “human side” of the story, rather than on the political one. He insists he wanted to show the corruption and the intrigues that are hidden under what is considered one of the most powerful intelligence service in the world.
Only the screen could tell us what the result will be, and how “Rigal Al Hasm” will tackle the complicate Arab-Israeli issue. But something is for sure: this year the Mossad will have a face for the Arab audience, which is also the beautiful face of Miss Lebanon. They will see human relations -even if based on lies and double cross- developing between Syrians and Israelis, they will hear Hebrew on their Ramadan TV screen (altough this is not new, having the Syrians done many other musalsalat on the Arab-Israeli issue with some original dialogues in Hebrew).
This is for sure enough to have -at least- some major newspapers and talk shows talking about the musalsal.
“Rigal Al Hasm“, produced by businessman Hany Mokhlef (for a big amount of cash: rumors say between 2.5 and 5 million dollars), will be broadcasted on Abu Dhabi TV and many other Arab channels.